1001
黃地粉彩纏枝花卉紋碗
C:15.6cm H:4.5cm
GBP:509,000
大清乾隆年制款
此碗敞口微撇,弧腹,圈足,底心礬紅書“大清乾隆年制”六字楷書款。外壁黃地繪各色粉彩花卉。採用西洋裝飾技法,繪畫風格、施彩、構圖技法皆源於西洋藝術,彰顯此碗皇家貴族之身份。製作刻意求精,極盡裝飾之能事,色彩鮮豔華麗,質感細膩,西洋藝術風格十分濃厚,是中西文化藝術的結晶。
The bowl is slightly open, curved, abdomen, circled, and the bottom of the heart is the red book "Da Qing Emperor Qianlong" six-character book. The outer wall is yellow painted with various pastel flowers. Using Western decorative techniques, painting style, color schemes, and composition techniques are all derived from Western art, demonstrating the identity of this bowl of royal nobility. The production is deliberately refined, and the decoration is extremely capable. The colors are bright and gorgeous, the texture is delicate, and the Western art style is very strong. It is the crystallization of Chinese and Western culture and art.
1002
清雍正 仿哥釉葵口洗
C:25cm
GBP:288,000
此器為文房用具之一,葵花式口,淺腹,下承蹄形足三個。此拍品應即仿此類宋瓷而制,三足洗為清代仿宋瓷之經典品種,始燒於雍正朝,乾隆時期繼之,除仿哥釉外,尚可見仿汝、仿官、天藍釉等品種。通體施仿哥釉,厚潤古雅,開片疏朗有緻,為同類單色釉中之雋品。
(
BLK1868
)
This device is one of the stationery items, sunflower-shaped mouth, shallow abdomen, and lower hoof-shaped foot. This lot should be made like this kind of Song porcelain. The three-legged wash is a classic variety of imitation Song porcelain in the Qing Dynasty. It began to burn in the Yongzheng Dynasty, followed by the Qianlong period. In addition to the imitation of the glaze, it can be seen that imitation, imitation, and sky blue Glaze and other varieties. The whole body is made of imitation glaze, thick and quaint, open and sleek, and is the best in the same type of monochrome glaze.
1003
青花釉裡紅雲龍紋天球瓶
H:53.8cm
GBP:220,000
天球瓶是明永樂、宣德時期景德鎮窯的創新器形。此瓶造型穩重端莊,是乾隆時期官窯瓷器中比較常見的器形。圖案畫法借鑒了清代順治時期經常使用的“龍身在雲中三現”的表現形式,龍身隻露出三段,其它部分被浮雲遮掩,故稱“一身三現”,確有“雲從龍”之感。瓶直口,長頸,腹渾圓似球,圈足。內施白釉,外壁以青花、釉裡紅繪雲龍出海。瓶口署青花篆書“大清雍正年制”款。此瓶為諸瓷之中的佼佼者,堪稱制瓷精品。
Tianqiu bottle is an innovative shape of Jingdezhen kiln in Yongle and Xuande period of Ming Dynasty. Mostly decorated with blue and white. During the Yongzheng and Qianlong periods of the Qing Dynasty, blue and white underglaze red, doucai and pastel were made. This bottle is a kind of common porcelain in Qianlong period. The pattern drawing method refers to the expression form of "three dragon bodies in the cloud" which was often used in Shunzhi period of Qing Dynasty. The dragon body only shows three sections, and the other parts are covered by floating clouds. Therefore, it is called "one body and three appearances". It really has the feeling of "cloud follows the dragon". The bottle has a straight mouth, a long neck, a round belly like a ball, and a circle foot. White glaze is applied inside and blue and white flowers and red painted clouds and dragons are painted outside. Bottle mouth department blue and white seal script "made in Yongzheng of Qing Dynasty".
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